Amy’s Art: Kimono Cat Collection – The Making Of Ageha



My second Kimono Cat is finally near completion and I’m so excited! This one has taken far too long for my liking – and not because of reasons you may expect (more on this later).

So, as I did with my first Kimono Cat called Tama, here is the making of my second feline called Ageha. This making is much shorter than Tama’s one because I knew more of what I was doing this time.

I think you can appreciate something a lot more once you know the process of how it was made, and it’s no different with art. When you find out how much time was spent, how many different materials were used and the setbacks it took to get it to completion, you may just begin to see things in a whole different light…so let’s start!

Hello armature!

First things first, it was time to make another armature out of aluminium wire! This one was much easier to do because I could scale the size and height against Tama.

Comparing the armature to my concept drawing

As you may be able to tell from my concept drawing, the kimono this time around was going to be a lot more challenging in shape and in pattern design. From the start, I knew that I wanted this cat to be taller than Tama and I also wanted her to be able to stand on her own, rather than have a base. So I proceeded with these things in mind.

Friendly armature

Next, it was time for my trusty ally, Apoxie Sculpt. I squished it around the torso and also at the ends of the wires to make nice, rounded endings which hardened overnight. My Schucki saw the armature like this and said that it ‘looked friendly’. I agreed!

Alien or astronaut?

Now it was time to bulk up the armature with tinfoil! I raced through these first few steps quicker than last time because I knew what to do and I found I was better at bulking up the armature this time around.

Lounging around in a mug

Next, it was time to get the Super Sculpey Firm out again and start sculpting the first layer. Ageha was going to be a based on a slinky Siamese cat, so I wanted to make her with nice big ears and Dobby-like globular eyes. I found that I used a lot less clay at this point than with Tama and I got better results quicker, which I was delighted with.

After-oven Dobby

Once I had this first layer of clay down, it was time for the first oven bake. I put her in at around 130 degrees Celsius for about an hour and everything cured according to plan with no mishaps. I liked how the ears turned out!

Testing out the kimono sleeve lengths

After sculpting on little details like the eyelids, it was time for the really fun part – the kimono. This kimono was going to be a furisode, which meant that the sleeves were going to be really, really long. It took a few tries of rolling out super long and thin pieces of clay and draping them on the arms to get the length and shape right.

(Note that she is standing on her own without a base – yahoo!)

After-oven for the second time

Then it was time for the oven again. Since this kimono layer was really thin, I put her in there for about 35 minutes at 130 degrees Celsius. I had a moment of terror when I took her out of the oven and found that the sleeves were still floppy, but they cured safely after I left her alone overnight. Phew, so far so good!

Whiskers and paws

If you’ve read the Making of Tama, you would know that I put her through the oven four times because my layering technique was messy and I didn’t know better, but with Ageha I was done with the oven after two times. Which meant that I could then insert the whiskers and make paw pads with Apoxie Sculpt (these bits are so much fun!).

White out

Now that everything had gone to plan clay-wise, I got out my Acrylic Gesso to start prepping the sculpture for painting. After a few thin coats of Gesso and white paint, Ageha was ready for colour!

Blocking out colours

At this point I was super excited because I had gotten through all of the clay stages so fast that I thought this sculpture would be finished in no time – all I had to do now was paint it. For some reason I always underestimate the painting part…because this was when the real nightmare began.

This kimono was based on a real one that my mum owns and I knew the colours and patterns that were going to be involved this time around, so in theory it should have been easy to replicate it. Oh boy, was I wrong.

First coat of the kimono pattern

I painted the orange base colour for the kimono at least four or five times until I finally got the shade I was looking for…and don’t even get me started on the intricate, super fiddly pattern of butterflies and flowers. They drove me absolutely mad.

I love drawing detailed patterns on paper but when it comes to painting them on a sculpture with paint, it really drives me up the wall because I can’t get them as perfect as I want them to be. Sigh…the daily struggles of a perfectionist, huh.

Broken tail emergency 😦

In this period of frustration where nothing was going right, I accidentally knocked the sculpture over and her tail snapped clean in two. This was the point where I very nearly gave up. I think I put Ageha back on the shelf then and didn’t touch her for more than a week, maybe even two.

Eventually I did go back to her and start working on her again, albeit very slowly. I fixed her tail by filling it with Apoxie Sculpt and then painting over it again.


Once the sculpture itself was nearing completion, I decided it was time to make the accessories. These three were fun and relatively easy to make – I especially liked how the obi and bag turned out. I made the obi by pressing a flat piece of Apoxie Sculpt to the back of the sculpture where the obi would go and then I sculpted Super Sculpey around the Apoxie mould so I could get the perfect size and shape.

One thing you have to know about me is that I only do things when I really feel like it. Sure, you’re probably thinking: ‘I’m like that too,’ but I take this personal ‘quirk’ to the most extreme degree.

Along the way of making my second Kimono Cat, there were times (especially at the start) where I would work on it a lot every day, making tonnes of progress really quickly but then there would be times where I would just…stop. Regardless of whether it was going well or not, I would just stop working on it for no apparent reason. Days passed, sometimes even weeks until I would be in the mood to pick it back up again.

That’s why this cat has taken so long to make – almost to the point where I was sick of it! But hey, I (somehow) pulled through in the end, as did Ageha. So I’m proud of us.

So, did you like The Making Of Ageha?

Click the button below to finally meet the finished Ageha!