My third feline of my Kimono Cat Collection is nearing completion and I can’t wait to show you all! This cat hasn’t taken nearly as much time to finish as the other two, and the construction has been smooth sailing compared to the drama and frustration with my second cat Ageha. So let’s begin with the making of Tsubasa..!
As always, I started off by making the armature which is the skeleton of the sculpture. I used 2mm aluminium wire for the main frame and 1mm wire to wrap tightly around the arms and tail. This allows the clay to have something to grip onto later. Then I lumped some Apoxie Sculpt around the torso and wire ends to make the frame strong and secure and left it overnight to cure.
Now it was time to bulk up the sculpture with tinfoil. I already knew the shape outline I needed, which was to have the foil gradually flare out from the waist to the feet (you’ll see why later!). It looks rather bizarre at this stage, doesn’t it?
Now it was time to start the best part: sculpting. As usual, I used Super Sculpey Firm and made the first layer, and then put it in the oven at 130 degrees Celsius.
After that it was time for the second layer, which was always much more interesting because it included the clothes and more detail on the face, like eyelids.
Unlike the other two cats, Tsubasa was going to be wearing a hakama, which are pleated formal trousers worn over kimono. I was unsure as to how I was going to make the hakama pleats, but it was easier than expected when I just cut long, thin strips of clay and layered them over each other. I loved how it turned out!
Normally I would have been done after two oven bakes, but I wanted the hakama to cure before I did the long kimono sleeves (this one was a furisode again) so I put her in the oven before making the sleeves, so they wouldn’t get in the way.
Now that we were all done with the oven, it was time to get the Apoxie Sculpt out again. I inserted nylon thread into the Apoxie to make whiskers, and then made paw pads and smoothed out the shoulders. I even made the whole tail out of Apoxie this time!
So, with all the main things done, it was white out time! I always enjoy this step of painting a few coats of Acrylic Gesso (even though it ruins my brushes because it’s so gritty) and then a few coats of white paint to prepare the sculpture for colour.
A detail that annoyed me was this inverted nose that Tsubasa had, so after the Gesso and white paint (great timing for adjustments…not!) I decided to fashion her a new one.
After reconstructed nose surgery – much better! (Voldemort may have been in need of this service too…)
The painting process of Tsubasa didn’t nearly have as much agony as Ageha’s did, but there were still times when I left Tsubasa on the shelf untouched for days on end. Asides from that though, everything went according to plan and I got her finished quicker than the other two, even though it still took the course of over two months.
As I was nearing completion, I made the accessories for Tsubasa which included a book, a bag and a bow for the front of her hakama.
I wanted the book to be able to open, so I cut out a small rectangle of tinfoil and then pressed thin squares of Super Sculpey to either side. I left a thin strip of foil untouched down the middle, so it would be able to open and close and to my great delight, the idea turned out perfectly after the oven!
The painting process definitely takes the most time and as any artist could tell you, sometimes it can be really hard to know when to just stop and call it finished. I could probably keep painting over little details of the sculpture forever, trying to get it ‘perfect’, but I’ve learnt from these last two cats that there comes a point where I have to put down the paintbrush once and for all, and say that it’s finally DONE. So I did!
So, did you like the making of Tsubasa?
Click the button below to meet the finished version!